Fabulous!!! This movie was just full of interesting, beautiful things, and interesting quirky people, and so many great anecdotes and little moments. Iris Apfel is really a fascinating person. AND it’s from a great director, Albert Maysles, who did the Stones’ documentary “Gimme Shelter” as well. Sad to hear he died in May
Dad and I both loved it.
There really wasn’t much to this movie. I liked the little boy but the rest of it was very ho-hum, hum-drum. Boring.
The first Judd Apatow movie I’ve ever outright liked! Knocked up = NO THANK YOU.
It was really, really funny. And THE CAMEOS. Man, they got so many people to be SO GOOD in this movie. LeBron James and Jon Cena are not just cameos, they’re actually full-fledged roles and they throw their whole selves into it.
Tilda Swinton is so unrecognizably herself, at first I thought it was Emily Blunt!
Channing Tatum = like. Jamie Foxx = like. Gutsy young girls = like. Jason Clarke = like to dislike. Maggie Gyllenhall = like. James Woods = like to dislike.
Fun, entertaining. Predictable? Sure. Unlikely? OK. Whatever!
Might put you in the mood for some other political thrillers like In the Line of Fire (I rewatch this one so much, my first DVD of it wore out!), or Shooter, or A Few Good Men (another movie I have seen approximately 94 zillion times).
From the super high to the lowly low. Hey, that’s life, isn’t it.
This was a LOT of fun and about 9,685,432 times funnier and sexier and more enjoyable than the first one. BY FAR.
SO much more dancing, better dancing, more enjoyable little conversations between the dancing.
Some of the end of movie dances were more silly than sexy (which is fine). My overall favorite was the dance Channing did by himself at Rome’s house. V. sexy.
This is just a truly lovely movie, from top to bottom and beginning to end. The story is lovely, and heart wrenching, and brutal–the sleeve of my hoodie was soaking wet by the end of the film from wiping my eyes. The sets, and costumes, and backdrops, were SO well done, so of their time and place. The acting was fabulous. I want to go see that lead actress in everything she ever does, including maybe Ex Machina which I really didn’t want to see.
I had been dithering about, sulking over there not being any movies to see, and Dad said “Oh, Testament of Youth! GO TO THAT! That’s based on Vera Brittain’s book, she’s fantastic.” And I’m so glad I did.
I’m obsessed with learning more about her, I’m obsessed with the clothing from this movie. I’m certainly going to see it again if it stays around long enough.
Maybe this was too overhyped for me. Or maybe I never like animated movies that much anyway. Or maybe I think movies that try to ride that middle ground between 1) kids will find this funny and 2) adults will still find it smart! tend to just annoy me. Why? Because there is no real middle between those two grounds. Most of it was over the heads of both the kids I went with while concurrently being too simplistic for me. We get only one positive emotional base versus four negative? Come on. Wouldn’t our global suicide rate be even higher if that were the case?
I see why other people liked it. I laughed at times. But I didn’t cry or feel all “OMG that was ME as an 11 year old girl” or any of the kinds of things my friends and reviewers have been saying. Sorry, it just wasn’t for me.
A little improbable, a LOT beautiful. I really loved it. Sweet love story, touching moments and thoughts about life, aging, the getting-through-it-ness of it all. Way to go, Alan Rickman!
Even if Kate Winslet’s chest should have been the 4th billed actor. Srsly.
What a beautifully chaotic place they created.
Dad agreed: definitely worth seeing.
Tell me yours and if you click on this link I’ll tell you mine. BONUS I also tell you my favorites from 2013 and 2012 in a drive-by shooting at the end. BAM.
Now that my hair’s dry I must go to the grocery store. It’s been ages, the pantry is DRY like the Sahara I’m telling you.
Christoph Waltz is SO (appropriately) creeptastic in this movie. And then I think about who and how he is in other movies…and then I listened to him being interviewed by Elvis Mitchell on The Treatment…and I’m wondering if creepy is where his true acting forte lies. (GAH. Horrifying.)
This is such an intensely weird, unsettling story. Well acted, well directed. But certainly not lovable.
There were some things about it that I thought could have been fleshed out more. And in some ways it’s one of those movies that doesn’t really GO anywhere with what it’s got to say (it just calmly tells this woman’s story from one point to another). But it’s worth seeing.