Big Screen: Inception.

The must-see movie of this year. I was thrilled, entertained, captivated. I loved the cinematography and the fake worlds they found in dreams. When they step onto that beach with the crumpling city…wow. There were so many great performances, so many neat things that come back and fold in on themselves and show up to mean something different later. Really great filmmaking, in my opinion.

But I find my friends are quite split. One said it didn’t trick him enough, the way Memento did. I guess I wasn’t really in it to be tricked. And Nolan can’t just remake Memento everytime he gets behind the camera…

Big Screen: Winter’s Bone

I am always hesitant to see movies made from books I really loved. This one lived up to my imagination. The casting was excellent, a lot of the dialogue was straight from the text, the atmosphere was just right. One side character was changed from boy to girl in what seems a random decision, but nothing else stood out as “wrong” to me, the way things often do when filmmakers sometimes seem not to have read the books they’re working with.

Just as sad and beautiful as the book. Heartbreaking really.

Definitely in my top 10 for the year. (Although when you’ve only seen 18 movies so far, that’s perhaps a dubious honor.)

Big Screen: Kick Ass

So! Much! Fun!

There were only two things I didn’t like about this movie:

1) the casting of Nicolas Cage; and
2) the way Nicolas Cage played the dad like some kinda pervy pedophile instead of a dad out for justice. This part would have been done soooo much better by, say, the likes of Bruce Willis of 10 years ago. Or Michael Keaton. Or Jason Bateman.

But other than that I LOVED it. Despite the fact that all you want to do after watching it is call people lots of nasty names and get in some rowdy fights.

Letters: The Delicacy and Strength of Lace, by Leslie Marmon Silko & James Wright

I’ve always been a sucker for the epistolary, whether fiction or not (as here).

These are really quite lovely, however, in their own right. Poets with great command of language, imagery, sensory. Their friendship grows across the page and their words become quite magical as they get to the nitty gritty of their lives.

Lovely, and sometimes, sad to read. I can’t remember where I saw this book recommended now, but I’m so glad I did.

Really makes you want to do nothing else but curl up with collections of their poems and get to know them even better.

SciFi: The Walls of the Universe, by Paul Melko

Totally fascinating multiple universe / devices that enable travel between them / doppelgangers appearing / exploiting technology that wasn’t developed in the “then” that you’ve gone to…sometimes being caught powerless, and choosing which life is the one you want to stay in.

Liked the characters and the twists and the physics connections. Really intriguing!

Family(minusGirl)Reaction: Lovely Bones

I didn’t go see this b/c of an irritation I had with the book. Reading how much my parents liked it made me decide to check out showtimes…and it’s already left Chicago completely. Must not have done that well, but as you can read below, they thought it was great.

DadReaction: Did not read book. Thought it sounded too creepy. Must say though: this movie is transcendent. You’re really upset at the start and it takes you on a journey of reconciliation that’s so odd, so unusual–I thought, anyway–i just don’t get why only Tucci got a nomination (for a NOTHING part). Peter Jackson must wonder what he has to do anymore. I mean, King Kong was the movie of the year when IT came out. Not that this one is tops, but c’mon, guys, it’s so well done, so unusual, so powerful, it deserves a nod. A lot of the movie was the kid, though–really good casting. But everybody was good.

MomReaction: Your Dad would put it in the top 10 of the year. I liked the way it used horror movie techniques, music that makes you think something is going on, anticipation, really well and it was never a trick, something did happen. I also thought that you went from something that tore your heart out and then saw redemption–hard won. The family did get back to being able to love each other and live, even though something terrible had happened. And the bad guy was identified and died in a very fitting way. The between world was very interesting too.

This movie was complete. It expressed real pain and hurt as well as love, abiding love. And it had a depth that nothing else I saw this year had. So, much as I loved Julie and Julia and Avatar and Inglorious Bastards, I think this had everything they had and more. It was at a completely different level. I think it was too bad only Stanley Tucci got nominated. Although it would be fair to call this an ensemble. Peter Jackson deserved a nomination.

And the setting/background, and special effects ( maybe the category was visual effects) deserved mention in nomination. Your dad just mentioned adapted screenplay as well. Mark Wahlberg was as good as I’ve ever seen him, lots of emotional depth and even a kind of beauty. Maybe even Susan Sarandon as best supporting actress.

YA/Fiction: Speak, by Laurie Halse Anderson

Powerful book. Told in a long reveal, it takes a while to know what’s truly going on, although as an adult I had a pretty good idea (would kids jump to the right conclusion? I don’t know).

A lot of nice metaphorical work throughout the story, mirroring the evolution of the main character (particularly in the conception of the tree, and in the naming/recognition of a certain character).

I’m interested to check out her other books, looks like she’s written a ton of stuff.

[Apparently there was a movie (Lifetime?) of this, but when I used this book for my media mini-study in my middle school curriculum class, the people in my small group who had seen it said it wasn’t anywhere near as good as the book. Why had they seen it? Oh that class is chockfull of undergrads. Bunch of 22 year olds who apparently watch Lifetime teen movies! Heh.]

Fantasy: Lonely Werewolf Girl, by Martin Millar

This book is fantastic. The characters are hilarious and deep and interesting and quirky and the plot is both silly and serious and there’s love stories and friendships and fights and just so much to love.

There were two small things that I felt were a bit surprisingly … dropped off at the end (lacking sufficient explanation as to their closure). But that did not stop me at all from loving the ending the rest of the characters get.

Kalix is a fantastic character. I would be sorely tempted to use that name for my firstborn, were there going to be one (there isn’t).

Highly recommended from me to you. (Recommended to me by someone on Flickr after they saw I had read and enjoyed The Good Fairies of New York.)

Fiction/Mystery: The Girl Who Kicked the Hornet’s Nest, by Stieg Larsson

Read in October. Since I’ve been doing reviews in any old order…I’m almost caught up!! Yipee!!

Also known as Book 3 of the Millennium trilogy. I am SUCH a huge fan of this trilogy. I picked up The Girl with the Dragon Tattoo on a whim. Blew through it like a crazy person. LOVE. Then I was so excited in Dublin last February to find The Girl Who Played with Fire already out there. Loved that one just as much. As SOON as book 3 was released in the UK, I ordered it from amazon.uk because HELLO I could NOT wait.

And it was completely worth it.

These are dark, nasty, sadistic books. They are also exquisitely plotted with seriously intelligent, persistent, strong and attractive (in more than one way) characters. They are entertaining and deep and completely fascinating and honestly it is so hard to get anything else done when you are reading them because you just do NOT want to put them down.

So bummed that there will be no more books by this dude (he died shortly after turning in all three manuscripts to his publisher) because they are some of the best books I’ve read in years.

Stieg Larsson and Tana French: revolutionizing the SMART mystery category. These are so far above genre books. Truly literature. Truly fantastic.