Wordplay

Pleased to meet you meat to please you
said the butcher’s sign in the window in the village.

–from “Domestic Violence” (collected in Domestic Violence) by Eavan Boland.

Shyla Bruno was doing a review of Philip Roth’s newest book, and Craig said, “You going with ‘Goodbye, Portnoy’ for the head?”
“No – listen to this – Allen came up with ‘The Gripes of Roth.’ ”
Craig waited a moment and then issued one of his patented, arch, stagey chuckles. “Bingo,” he said.

–from “City of Refuge” by Tom Piazza, which I bought after I read this (I myself am NOT much of a Lahiri fan) and am sooo enjoying. Enjoying in a tearful, maybe won’t read in public because I might start bawlin’, kind-of way.

Poetry: For All We Know, by Ciaran Carson

Bought in Dublin, baby. An Irish poet my Dad introduced me to a few years ago when we were trading packages of “here’s some of my books you should read” recommendations, and I read (and told you about) one of his translations when I was home for Christmas a year ago. I was so excited to go into Hodges & Figgis (a GREAT bookstore in Dublin), stroll over to the irish authors section, and find a HUGE selection of his stuff. It was hard to choose what to buy!!!

I chose this one and I think I did well. A collection in two parts, a man and a woman, a story told, and then retold, mirrored from one part to the next, intertwined with other events. I read it several times over several days, and still want to go back for more. Certain images and themes repeat over and over again, with different details ringing in your head. Little moments, expanded, then contracted, then expanded. These were lovely poems and my regret is I didn’t buy another book of his when I had the chance. I’ll be searching out more, you can count on it.

(For those of you poetry scares off, these were very accessible. Readable even without pondering of the deeper layers, and the repeat images, and then connections tethered and severed…)

Short Stories: Delicate Edible Birds, by Lauren Groff

I enjoyed her debut novel last year. Then I got one of the stories from this book in my One Story subscription (which I highly recommend you treat yourself to. It’s cheap, it’s good, and it’s just one story. EVERYONE can make time for one story!!). I was so excited to see this collection come out and not one bit disappointed. Very, very good. Better even than her novel! My second favorite book of the year so far. Such an impressively wide range of characters and timeframes and situations and… And really, I cannot recommend these stories highly enough. They were all completely individual (sometimes a problem in short story collections), and completely engaging, and original, and UNEXPECTED. I’m in awe.

Mystery: Dark Hollow, by John Connolly

The second Charlie Bird book (here was the first). Bought in the Atlanta airport on the way home. No New Orleans this time, primarily set in the boonies of Maine (ha!). As with the first book, has an intense layer of psychology/mythology that somewhat overpowers (not necessarily in a bad way. mostly good, sometimes a little frustrating) what would otherwise be just your normal mystery novel. Makes everything creepier and ickier. Has some follow-up to the ending of book one, but I feel there is more to come with those relationships.

Mystery: Every Dead Thing, by John Connolly

Bought and read in Dublin, yay. An Irish writer…who sets his mysteries in America; this one in New York City and New Orleans. If you, like me, have British relatives and friends who get completely BENT OUT OF SHAPE when some American writer sets their books ‘cross the pond and gets little details wrong… Yeah, I kind of had to shake my head and laugh at seeing the opposite occur. (Not that he’s “British” being “Irish” but the correlation is there regardless.)

In some ways, it’s a mystery series like any other: an ex-cop Charlie Bird, with a sad personal history of violence, winds up involved in a mystery, has some criminal friends and some not, there’s really brutal murder and mayhem. The additional spin here is that this has far more than your average mystery’s amount of psychology and mythology running under it. Bird’s thoughts often go wandering off for a bit into an underlying sort of swirl of emotion and ESP like feelings. Sometimes it added interesting themes and I went with it; other times I wanted him to get back to solving the mystery already!

Dark, gruesome, brutal. Some horrible stuff happens to quite a few people. Pretty frakkin’ intense. (In a good way. Obviously.)

Mystery/Fiction: Lies of Silence, by Brian Moore

Bought and read in Dublin, yay. Belfast, the IRA, having the wrong job (but right for them), politics vs. personal safety, being in the wrong place at the wrong time, and intertwined relationships convoluting things, as they do. Something a bit desperate and sad about the train of the events. The ending shouldn’t have been a surprise, but somehow it was.

Mystery: The Devil’s Bones, by Jefferson Bass

Layover in the Atlanta airport. I claim to hate reading mystery series(es?) out of order…but somehow that seems to be how I always start them. In airports, desperate for something, hmm, this sounds good, book three (or whatever), ah well.

A forensics mystery. A male version of “Bones” with a creepy dead body farm. Creepy cool, I mean. Very entertaining.

Fiction: The Broom of the System, by David Foster Wallace

Our February challenge book (we are alternating between 19th-century and contemporary novels this year).

I liked a lot of this book. But there were things I could’ve done without. Since we already reviewed it in sort of rambling fashion on Flickr, I’ll just paste in what we had to say there:

GirlReaction: I liked a lot of it but there were annoying things. some chapters where you couldn’t figure out who was speaking until WELL into them (must EVERYONE be first person?) or dialogue where it took some figurin out who the conversation was between and who was saying which lines. and then at the end of the book, it just…ENDS. midsentence even. eh? I prefer a bit more of a finale, even if you have a cliffhanger.

But it was really funny and clever and felt very much like Vonnegut to me. Vonnegut but with more details, longer sentences / paragraphs, and if Vonnegut wrote females as the main character (or important characters really). Vonnegut is easier to get through (generally both shorter and less literarily dense), but I felt like they shared some sensibilities.

I liked it more than Dad though. He eventually got kinda of annoyed with it and I think it’s tweeness. Like sometimes the reader shouldn’t have to work QUITE that hard. “Cleverness for the sake of clever”. Although now maybe I am being harsher than he was. Dad?

DadReaction: Yes–your summary of my assessment was pretty accurate. I thought all the guesswork was unnecessary and didn’t like the non-ending. He actually got you involved with his goofy people and then sort of sold them short. Still, still, VERY clever– e.g., Vigorous’ son living out the news, being Nixon, etc. The Vigorous-Lenore storytelling duo was super–but you miss her reactions when it’s just his story. I wanted to complete the grandmother saga.

To be honest, I probably would have loved this book when I was reading the first Pynchon books, Tom Robbins, Edward Whittemore (WHAT? You’ve never heard of Whittemore? Shame! Go, go, get Sinai Tapestry, Jerusalem Poker.). Then Again, I LOVED the last Pynchon–Against the Day–and I pick up Vonnegut effortlessly. This one, I kind of had to force myself through. Okay, but, once more, STILL, still, Lenore herself always drew me back. And Lang sort of grew on me–okay, so I really wanted to know how their story came out, and was denied that by a much too clever author.

So I like much of the creation, but I was not drawn to the creator. Telling fact that maybe sums it all up: haven’t recommended it to anyone and not really eager to read another by same author.