Big Screen: Pirates 2

Johnny Depp is hilariously over the top. Orlando and Keira both looked pretty although they clearly have less meaty roles. Entertaining, fun, liked lots of different things about it. Long? Eh, didn’t feel that long.

Liked the “bad guys” of the first film a little better — sure they were undead, but they weren’t as gross and gnarly as these. Think they went a bit far with the CGI gruesoming effects.

Otherwise looking forward to #3. Oh – and if you didn’t see it yet – WAIT UNTIL THE END OF THE CREDITS. My mom told me to and like the idiot I am I forgot, so I had to call home to find out what I missed. Doh!

DVD: Annapolis.

Yes, fine, not a GOOD movie.

But totally satisfying in so many ways.

  • The myth/magic of military tradition = Good.
  • James Franco’s chisely cheekbones and cut, cut, cut abs = Good.
  • Fat, funny friend = Good.
  • Donny Wahlberg (Man, I miss Boomtown) = Good.
  • Small-town, blue-collar angst = Good.
  • Boxing and blood and boys with no shirts on = Good.
  • Tortured father/son relationship = Good.
  • Sassy girl in commanding position = Good.

What’s not to like?

Slammed as a wanna-be Officer & A Gentleman (one of the greatest movies ever). But some key plot points are quite different and make it not a direct copy. Although I’m sure I would have enjoyed it either way.

Big Screen: The Devil Wears Prada.

The contrast between Meryl Streep’s character/performance in this movie versus Prairie Home… Wow. She takes a lot of critical/consumer flack but she is such the consummate actress. If you didn’t KNOW, you would never guess those two characters were played by the same actress. I kiss the ground you walk on, Ms. Streep, seeing both your new flicks in one weekend was a truly awe-inspiring experience.

That said, this is not much of a movie. Anne Hathaway bored me. Where is the Anne Hathaway from “Brokeback Mountain”? Does it have to be an edgy indie movie for you to be alive and excited in it? There was so little chemistry between Hathaway and Adrien Grenier that I could not imagine caring one iota about their relationship. Booooring. And since you’re supposed to be thinking about how the Streep character’s irrational demands are destroying her employees’ personal lives…well, that only really works if you think their personal lives are worth something.

I assume the (many) weaknesses of the movie are straight from the book. Enjoyable enough, funny sometimes, but not a very good movie.

Big Screen: Prairie Home Companion.

You do not need to be a fan of Garrison Keillor, or Lake Woebegone, or Prairie Home Companion itself, to like this movie. You do need to be a fan of folky/country music, laid-back often-only-funny-in-very-obscure-ways Midwestern humor and meandering circling back and forth story lines. If you liked “A Mighty Wind”, you will probably like this.

It was poignant, and sweet, and funny, and charming, and I quite enjoyed the movie overall and Meryl Streep in particular. (My mom apparently connected with Lindsay Lohan’s character the most. If you could have heard how my Dad described that to me…PRICELESS.)

Oh and the songs Woody Harrelson and John C. Reilly sing…and their characters in general…what a HOOT!

DVD: Stage Beauty.

I bought this a while ago and never got around to watching it. Which just proves I’m a moron because this is a great movie and I can only hazard a guess that the stars’ extracurricular activities (Billy Crudup and Claire Danes hooking up on this movie and Crudup dumping his 7 months pregnant girlfriend Mary-Louise Parker) kept people from going to it (yes, Jen, I’m thinking of you and assuming that would give you even more pause than the Brangelina situation did over “Mr & Mrs. Smith”).

It’s just beautiful. Heartbreakingly, wrenchingly, poignantly beautiful. How do you find yourself again when all that is YOU has been lost? Ouch.

Crudup is amazing. And there’s a pretty humorous scene where you cannot help but notice (if you haven’t before) how incredibly flatchested Danes is as she has to bare her breast basically “to show she’s a woman” yet when she bares it…well, I’m not sure that proved anything! Ah ha ha ha ha. I used to feel your pain, Claire, 35-some pounds ago…

Netflix: November

I really wanted to see this when it came out last year or whenever but never got to it before it ran away from Chicago. Damn those theaters who don’t keep Indie movies for a decent run! Courtney Cox plays a photographer whose boyfriend gets shot to death in the first scene of the movie…or does he? If you liked Memento or Run Lola Run, films that question the continuity of the space-time continuum, you will probably like this. I loved it. Very intense. And very non-Monica like. 🙂

An Afternoon (and then some) with Leonard Lopate.

6/12 episode: Mark Bowden “Guests of the Ayatollah”

I loved, loved (LOVED) Bowden’s earlier book “Black Hawk Down.” So I knew it could be dangerous listening to this podcast. Indeed it was as I felt the need to swing by the bookstore on the way home and buy the new book despite its hefty size and cost (hardback). Don’t know when I’ll read it because it’s certainly too heavy to carry on the El! Anyway, it’s a flash back to the Iran hostage situation of the….70s? Lots of neat information about Carter and the realities of the situation that obviously people couldn’t see at the time.

Funny quote from the stand-in interviewer: at one point he was saying how it’s always been a Republican criticism of Carter (and the Democrats in general) that they didn’t know how to lead these wars and were just going out into the desert and bungling things. And he followed that with “Increasingly going out to the desert and bungling things is looking more like a bipartisan effort…” INDEED.

6/13 episode: Andy Revkin “The North Pole Was Here”

This guy must be a Republican. A few of the things he had to say made sense. A few were outright wrong. And he made a big point of positioning himself as an alternative to Gore’s “An Inconvenient Truth” film. The thing Revkin doesn’t seem to understand is even IF the effects of climate change are further off than ALL scientists think (again he pretends there are more scientists in disagreement than is reality), NOW is NOT too early to start fixing them. Yes, this is the world we are leaving our children and grandchildren, as he points out, so WHY would we want to WAIT and force them to fix it starting from a worse place than we already are? How is that a feasible answer? Obviously I disagree.

6/15 episode: A Public Defender in the South Bronx:
David Feige “Indefensible”

This was a very interesting interview. But Feige was sometimes too glib for me. Any REASONABLE (non Republican) person can understand the fact that even if someone is a rapist, murderer, etc., does not necessarily stop them from being an interesting, intelligent person that if you were, say, their public defender, you wouldn’t need to HATE and DETEST them despite their crimes. But he constantly answered the question very glibly with “I know this will sound weird to listeners, but…” and never taking a second to actually explain it. His book sounds good, but I couldn’t read it if it was full of that same tone. He has been involved in some interesting alternative approaches to defense/crime intervention and those all sound like quite laudable efforts.

6/21 episode: Anthony Bourdain “The Nasty Bits”

I haven’t tried any of Bourdain’s fiction, it just doesn’t attract me, but I loved both “Kitchen Confidental” and “A Cook’s Tour”. This book sounds just as good. Bourdain is unremittingly unapologetic and is obviously having a great time touring the world and eating all kinds of crazy stuff I would never be able to digest!

6/23 episode: The Future of Human Cloning:
Ian Wilmut “After Dolly”

I don’t have much interest in the topic but Wilmut was pretty intriguing to listen to and not just because of his soft Scottish accent. And isn’t it always humorous to listen to people speak from a scientific view about things which other people can only talk about from a very moralistic and completely nonscientific place?

6/26 episode: Japanese American Soldiers in WWII:
Robert Asahina “Just Americans”

This was an amazing interview, and I’m certainly interested in reading Asahina’s book. I was interested not only because of my inherited obsession with military history (thanks, Dad) and the disenfranchised, but also because Mariko’s dad was put in an interment camp himself! They talk not just about the Japanese Americans in the camp but those who were forcibly (and voluntarily) drafted and their efforts as a unit (they and the African-American unit did some amazing things, particularly on rescue missions, and were two of the most (if not the two most, I forget) decorated units after the war and NOT because of their race, I can guarantee you that).

6/27 episode: From Blockbusters to Bombs: Peter Bart “Boffo!”

You’d think I’d have enjoyed this a bit more, given the movie obsession. It was OK. I did enjoy some of the stuff about things that were supposed to be bombs becoming cult hits and stuff about the money aspect. Studios and their creative accounting will never cease to amaze me. Did you know Tom Cruise will likely make $60 million-$80 million for MI3 and the studio will likely make…NOTHING. He’s got them all fooled clearly as that was not a $60 million performance. Why would they even agree to make his movies, given his back-end deals plus the upfront cost of making them? Idiots. (Not that I didn’t enjoy it, which I did, but great ($60 million-worth) art it was not.)

Cable: Ladyhawke.

CanNOT believe how long it’s been since I’ve watched this (Kysa, didn’t we used to watch it all the time “back in the day”? When was that? 1995?). Also canNOT believe I do not own this on DVD. Will have to fix that. Still love it just as much as I used to, although admittedly the background music is very dated and somewhat humorous. Matthew Broderick is so fun in this, and I don’t know that I can think of very many other movies where him being in it is one of the reasons I like it. Rutger Hauer is YUM, yum, yummy. The love story is so desperately poignant. Oh the heartbreak. Oh the torture. Yes I’m being facetious; but I love it nonetheless.