Big Screen: Friends with Kids

Since you already know, I detested Bridesmaids, you must not be surprised to hear I equally detested this?

Part of it was my fault, though: I went to this movie wanting to see a movie about someone like, say, Ben Wyatt, that sweet adorable man from Parks & Rec (played by Adam Scott, of course). I did not go to it wanting to see Adam Scott play a crass jerk. So basically I was bound to not be a fan based on my own expectations.

Yes, the dinner party scene was some wonderful writing and outstanding acting. But what resulted from that scene really should have been very different, in my opinion. So I do blame the movie for some of my disappointment. Heh.

I hate hate hate hate the crass response of the last line of the film so so so so much. Blech.

This whole “women can be crass too! SEE! SEE HOW CRASS WE CAN BE!” movement is SO not what I want to see at the movies. OR ANYWHERE. (And FYI unlike much of the world, I hate the boy versions of those movies just as much. Yuck.)

À la Nick Hornby, books in/books out for February.

Bought:

  • Life: An Unexploded Diagram, by Mal Peet (YA)*
  • You Killed Wesley Payne, by Sean Beaudoin (YA)*
  • The Watch that Ends the Night: Voices from the Titanic, a novel by Allan Wolf (YA)*
  • The Castle of Llyr, by Lloyd Alexander

Read:

  • Magic on the Hunt, by Devon Monk (library)
  • Magic on the Line, by Devon Monk (library)
  • The House of the Scorpion, by Nancy Farmer (borrowed)

Despite having nothing but time on my hands, all of that time seems to be going to crafting and busy work and almost none to reading…

*Went to an event at the Center for Teaching Through Children’s Books at National Louis introducing the Booklist award winners and favorites of the year and bought these at the book sale afterward. Not that I should have, but…

Big Screen: A Separation

A truly great movie. Really wonderfully done. Full of nuance and suggestion and believable humanity (especially in contrast to Carnage!!!). A movie that makes you change your opinion after every scene, but not in a Memento-type way, in a “TRUTH and THE FACTS are always ambiguous” type way.

Great performances by people I would love to see in more movies.

À la Nick Hornby, books in/books out for January.

Bought:

  • ?? I’m sure I bought at least one, but I don’t seem to have kept track. Probably because I SHOULDN’T be buying any whilst unemployed. Ah, well.

Read:

  • Everyone Remain Calm, by Megan Stielstra (stories)(electronic)
  • Zoo City, by Lauren Beukes (electronic)
  • Call for the Dead, by John LeCarre (library)
  • A Murder of Quality, by John LeCarre (library)
  • The Spy Who Came in from the Cold, by John LeCarre (library)
  • The Looking Glass War, by John LeCarre (library)
  • The Evolution of Calpurnia Tate, by Jacqueline Kelly (loan from Bill)

Big Screen: Carnage

A lot of good actors in this movie but ultimately I thought it was a disappointment. And completely unrealistic that the visiting couple wouldn’t have left roughly 5 minutes into the movie. So basically the plot felt completely artificial and maintained their presence just for the sake of maintaining it (no movie without them stuck there).

Jodie Foster was incredibly shrill — my least favorite Foster performance. EVER.

A few great lines here and there but that dialogue could have been put to use in a much better film.

Big Screen: Hugo (3D)

The most lovely, unobtrusive use of 3D I think I’ve ever seen.* And some great performances as well.

My ONLY complaint about this movie is that a) they never tell you it’s from a graphic novel by Brian Selznick and b) they never tell you that George Melies was a real person and the films they depict of his were real films (something that is clearly laid out for you at the end of the Selznick book).

They made a few changes from the book but for the most part, it really stuck to Selznick’s writing and art. It was really well-done.

*3D used for depth and texture and beauty and to ENHANCE. Not for shock value and punching the audience in the face. Gee, WHO KNEW.