Just another trip to Coinstar.

Total change turned in for “real money” = $144.50.
“Change” rejected by Coinstar:

  • Another Boston T token.*
  • One 2-cent Euro.
  • One Canadian dime.
  • One British penny.
  • One, presumably U.S., penny so molded over and verdigreed that I think it might grow a tree if I planted it.
  • One U.S. penny just barely beginning to mold.
  • One U.S. dime, the side ridges of which seem to have somehow been replaced by the outside edge of a penny? I mean, it’s a dime, silver 10-cent piece, but instead of the thin silver scored outer rim a normal dime has, it has a smooth copper rim that extends past the edge on both sides (i.e., is for a fatter coin than a dime). Bizarre!
  • One perfectly normal U.S. dime.
  • And a perfectly good U.S. quarter.

So one transit coin, three non US, two US degraded, one US bizarro, and two perfectly good coins that should have been accepted as Legal currency.

*It’s got to be the Walgreens by work that keeps giving me these. I don’t know if they’re even still valid tokens!

Live Tunes: Winter/Spring [Updated]

Jan 18: Bon Iver (it was awesome. I’ll try to write it up soon)
Feb 2: Joe Henry / Chris Connelly
Feb 8: Jason Isbell (others playing as well but he’s who I’m going to see)
Feb 22: Sara Bareilles / James Blunt
Mar 1: Griffin House (2nd x)
Mar 8: Peter Mulvey (3rd x)
Mar 9: Carrie Newcomer
[Mar 12: Dan le Sac Vs. Scroobius Pip (yay!)]
Mar 17: Matt Nathanson (yay!)
Mar 18: Raveonettes
Apr 13: Girlyman
[Apr 24: Long Blondes]
Hmmm. These things really seem to come in clusters, don’t they? The person planning my life is doing her usual crapass job of scheduling, at least in March. I’m going to be all tired out right in time for my trip to Japan!

Essays: “Housekeeping vs. the Dirt” by Nick Hornby

Hornby’s second “anthology” of his monthly book review essays in The Believer (the first was “The Polysyllabic Spree” which I commented on briefly back in 2005).

While I don’t always agree with his reviews, or I might not be interested in a particular book that he’s reading, I usually enjoy the tone of these write ups. The random associations that come about between books you didn’t expect to resonate with each other; the twists and turns that lead you off in a random direction, far from your original plans; and the pure joy when a book hits you in just the perfect moment for you and that book to collide.

Thanks to his comments, adding to my possibly to be read list (as opposed to the actual to be read pile of things already purchased or borrowed):

  • “Every Secret Thing” Laura Lippman (fiction)
  • “Blood Done Sign My Name” Timothy B. Tyson (memoir)
  • “Oh the Glory of It All” Sean Wilsey (memoir)
  • “What Good Are the Arts?” John Carey (nonfiction)
  • “Death and the Penguin” Andrey Kurkov (fiction)
  • Joshua Ferris “Then We Came to the End” (fiction) (this one’s been reviewed all over in the past year, but this is the first review to make me think Hmmmmm)

DadReaction: Away from Her

I was really disappointed. It was so light; an after-school special look at the issues. Actual Alzheimers is so much worse, and the manipulations of the story distanced the problem: you could be a saint and your partner could still get Alzheimers. They don’t just fall in love with other people, but still regard their partners/families/etc. kindly: they will actually start to be abusive toward the people who used to be their entire lives; not just kindly “oh who are you” / a much more violent response.

Julie Christie really stole the show, but it seemed like maybe the writer was really going for the man’s story? And while there are times when it works when you shuffle time via editing (“Memento”), it’s another manipulation: it’s really easy to make the audience feel an intensity that isn’t really there.

I was also really irritated when he complained that she was wearing someone else’s sweater and the hospital administrator said “well, she looks nice in it.” We deal with nursing homes administrators all the time and I can tell you, NO nursing home administrator would ever say that, particularly not one in a high-toned place like that. They are so careful and go to great lengths to make sure people’s stuff doesn’t get confused, partly because of the pain it causes the relatives, and also just b/c of the miscellaneous theft that goes on. They sew on labels, they’re constantly policing that stuff.

Little details like that really blew the film for me.

[I liked this better than my Dad did; but I too felt that the plot manipulations were heavy-handed and obvious (and not either necessary or particularly additive to the storyline).]

Dad’s and My Reading Challenge for 2008 [Updated]

Alternating short stories & Eastern European novels.

January: “The Oxford Book of English Short Stories” edited by A.S. Byatt

February: “The Good Soldier Svejk” by Jaroslav Hasek

March: Complete Short Stories, David Malouf

April: “The Death of Virgil” by Hermann Brach

May: Collected Short Stories, Isaac Baschevis Singer

June: “War with the Newts” by Karel Capek

July: Stories TBD“The New Granta Book of the American Short Story” edited by Richard Ford

August: “The Man Without Qualities, Vol 1” by Robert Musil

September: Stories TBD“Dead Boys: Stories” by Richard Lange

October: “The Man Without Qualities, Vol 2” by Robert Musil

November: Stories TBD“The Oxford Book of Short Stories” edited by V.S. Pritchett

December: “The Trial” by Kafka

À la Nick Hornby, books in/books out for January.

Bought:

  • Matthew Eck “The Farther Shore”
  • Bill Holm “The Windows of Brimnes”
  • Vendela Vida “Let the Northern Lights Erase Your Name”
  • Elizabeth Crane “You Must Be This Happy to Enter”
  • Paul Park “A Princess of Roumania” (sci fi/fantasy)
  • Walter Mosley “Fortunate Son”
  • Elliot Perlman “Three Dollars”
  • Robert Hass “Time and Materials” (poems 1997-2005)
  • Making Out in Japanese
  • Patricia Briggs “Iron Kissed”
  • Pat Barker “Life Class”
  • Zachary Lazar “Sway”

Read:
  • Nick Hornby “Housekeeping vs. the Dirt”
  • The Oxford Book of Short Stories, edited by A.S. Byatt
  • Natasha Trethewy “Native Guard” (poetry)
  • Adrian McKinty “Dead I Well May Be” (library book of Silvia’s)
  • Walter Mosley “Fortunate Son”
  • Denis Johnson “Tree of Smoke”
  • Elizabeth Crane “You Must Be This Happy to Enter”

I have yet to write up a single book I read in January. Perhaps later this week. Perhaps.

Playlist: “Why Are You Breaking My Heart?”

An old playlist rediscovered this week-end. I quite like it, and playlists don’t always stand the test of time. (Party playlists seem to be especially time period-specific.) Not sure who was breaking my heart in Fall 2006, but perhaps I was just in the mood to have it be broken. Sonically, that is.

Why Are You Breaking My Heart?

  • “There Is a Light That Never Goes Out” (cover) – Joseph Arthur
  • “I Don’t Care What You Call Me” – David Ford
  • “I Go to the Barn Because I like the” – Band of Horses
  • “Boston” – Augustana
  • “Winding Up” – Clare Bowditch and the Feeding Set
  • “What Does It Mean Now?” – World Party
  • “Skeleton Key” – Margot & the Nuclear So and So’s
  • “Never Yours” – Tracy Chapman
  • “Unspoken Love” – The Electric Farm
  • “Home” – Barenaked Ladies
  • “You” – Switchfoot
  • “That’s How I Knew This Story Would Break My Heart” – Aimee Mann
  • “Jessie’s Girl” (cover) – Matt the Electrician
  • “Steady as We Go” – Dave Matthews
  • “Slow New York” – Richard Julian
  • “We Are Man and Wife” – Michelle Featherstone
  • “All This Dust” – Canasta

DadReaction: Cloverfield

It got me, I loved it. They never break the premise: You’re seeing the whole thing with this handheld and you never find out anything else, you just see what’s on the tape. It really wrapped me up. I loved the music.

But you know, I told somebody about it the next day and he said his daughter said it was the worst movie she’d ever seen in her entire life. And that she’d read somewhere that on the sneak preview cards, the only grades the movie got were either As or Fs.

If you don’t “go with it” you’re going to be thinking “Who cares?” To me, it was very believable. The desperation of some of these people, and the fights… woah, look out. I thought it was just so effective.

À la Super Eggplant, currently, I am…

Making: Shower gifts. Self portraits (damn you, 365 flickr project, you are killing me).

Reading: After reading the same two books for the first three weeks of the month (“Tree of Smoke” by Denis Johnson and “The Oxford Book of English Short Stories” edited by A.S. Byatt ), I’m now in a flurry of finishing, those plus some others thrown in. I haven’t written any January reads up yet, but you can always view the current year’s list to know what’s going on. Just finished the Johnson on my way to work today so tonight it’ll be pick out a new book time. Yay! (Either that, or wait until tomorrow when I have time to go to the bookstore and pick up the new Pat Barker.)

Watching: I finished “catching up” with How I Met Your Mother on my majorly delayed in every direction plane rides this weekend, whipping through the end of season 2 and all that’s been shown of season 3 so far (this strike cannot end soon enough!). While Barney cracks me the fuck up (and damn, nice abs, boy), I think Marshall is my favorite character. And I haven’t seen ANY new movies because instead I just keep going with people to see Juno (their first times, my second, and third, and fourth) again and again.

Listening: Over and over again to Sea Wolf “Leaves in the River”, as I have been since mid-December. Also Matt Costa “Unfamiliar Faces”; he has a real sense of fun and joy (and quirkiness) in his tunes. Cat Power “Jukebox” although I like the first three-four songs the best and I usually move on after that. Bought some new stuff in San Fran but haven’t listened yet…

TV: Terminator Sarah Connor Chronicles

I’m not feeling quite as enthusiastic toward this show as I was last week…as the longer you watch, the more it seems they have dumbed down the terminators. As my dad points out, clearly they don’t program them to “look both ways before crossing the street” as both Eps 1 and 2 featured a terminator/car collision, virtually identical shots. And as each episode has progressed, all the way through 3, Summer Glau’s character becomes more and more mechanical, actually the opposite direction you would expect her to be going given how much time she’s spending with the humans.

In the first episode, she / her character was credibly passing as a fellow student (as well as the bad dude terminator who appeared credibly human while taking attendance up until calling on John…but since then is complete machine). In Ep 3, every (somehwat bizarre or “non human”) thing she does is followed by her staring blankly at the humans around her. Way to blend in, not. Why is her ability to modify her terminatorish behavior to appear more human actually decreasing?

Liked seeing the soft side of Sarah / just burns down Andy’s dreams and all the work of his past three (or was it five? can’t remember) years instead of killing him. Of course, he has no idea he’s getting off easy. But didn’t really like the subplot at the school / with the mysterious painting slowly revealing the suicide girl’s presumed indiscretions. Also note the new cute girl John keeps bumping into. Should we assume she’s actually human? 🙂 Like the leads, like the acting, but it’s not really that good. Still…better than Bionic Woman was and that’s really the “compare” I’ve been using in my head for this show.